Archive for the ‘Music’ Category.

Tiny URL… well.. a small URL anyway

Holy crap, TinyURL is so cool. There’s even a dashboard widget for it. The only problem I ran into is that their server wasn’t allowing mysql connections to it. Hmm, bummer. This is a cool service, but.. what’s going on here? It’s a table of urls that they’re encoding some small key to relate to, so when you ping the tiny url, it says “you said ‘EHY54′… and my table says you wanted ‘http://www.google.com’… so here you go (redirect)”

Pretty cool. A very simple idea, but extremely useful. So useful, that I’ve come to rely on that kind of technology to be able to pass obnoxiously long URLs to gallery pages like this one:

http://sc-fa.com/blog/2008/07/06/steve-cooley-showing-at-workssan-jose/

which isn’t really all that obnoxious, but it sure looks like it when you pass it to someone in an email and the URL breaks because of the wordwrap or something. So, since tinyurl.com wasn’t returning URLs, I made my own small URL maker.

It’s basically three components: a DB table, a form to make ‘em small, and a landing page where the small urls turn into big ones. Now if I only had a short domain name..

HEY, I do! http://3rl.us

so, said large url turns into: http://3rl.us/e8c31 which is much smaller. :)

AND, I added a hit counter, so I can see how many times a URL has been pinged. Now all i gotta do is dive into the widget making world and make my own for my small url maker.

oh yeah! make your own small URL here: http://3rl.us

Bass

There’s a bunch of songs that send me directly back to warehouses in LA circa 1995. I used to go to Insomniac, F.A.M.I.L.Y., and a few other regular gigs.

There’s something about a lot of dance music, acid breaks, and house… that you just can’t comprehend by listening to it anywhere but in front of a stack of speakers. Some tracks that you hear on the radio or bumping out of a car next to you… you can’t judge them on that listening medium. The other thing about dance music is that it’s constructed to be part of a larger mix. It’s usually built specifically to have a very tight structure so that it will flow in and out of other tracks easily. I think a lot of people don’t really understand that. They hear a track on itunes or blasting on the street somewhere and just wonder what it is about that music that people like so much…

It’s a tactile thing. Most of the good tracks I can think of just need the power of a stack of speakers pushing the bass to the top of your awareness to be experienced properly.

And a deep tribal memory of sorts. Loud bass is like a beacon back to your old brain. It’s the pound of the tribal drum dictating a rhythm. It’s beyond our time. It’s the genetic memory from people who lived in your family line a long long long long time ago.

It’s also a younger memory of your time in the womb, catchin’ Mom’s heartbeat. Think about the bass of a stack of speakers. Some people are alarmed by that feeling. I think it’s because it’s familiar but unsettling because of an inability to identify why it’s familiar.

My man Derek drops a science bomb with this:

Bass is the ’section’ of the sound spectrum with real power. It makes the speaker move more than the higher frequencies…so much that you can see it. More importantly, you
can feel it. You feel it in your ear…you feel it against your chest…hell, it’ll even rattle your nutsack! Stand next to a bass bin at a club and you’ll know exactly what I’m talking
about. Bass is so powerful that it makes club nights for deaf people possible (No, I’m not kidding. They do exist). There’s also the feeling you get, mentally, when you hear
bass. In many memorable songs, the bassline is what gives it feeling…emotion…that extra umph that makes you close your eyes, pump your fist, and holla like you know you
got to.

Take a few examples:
‘Money’ - Pink Floyd (editor note: listen)
‘Bassline’ - Mantronix
‘Billie Jean’ - Michael Jackson (sorry…but it helps my point) (ed: listen)
‘LFO’ - LFO
‘Get Up’ - James Brown (ed: listen)

Ya feel me? And I didn’t even mention what an 808 kick drum will do to ya!

-D.

Amen! Heeeere you go: turn it up!

My brother Deeje says:

My thoughts are similar to Derek¹s:

Most sound you feel with your eardrums, but bass you feel with your whole
body. Also, when I hear good loud bass, it puts my size into perspective
compared to the universe.

Peace

deeje

ah yes, good point…

My coworker Fred and I had a conversation on 2005/05/13 regarding bass.. His thoughts were that maybe the uncomfortable feeling some people get when exposed to loud bass is one of being out of control. My immediate reaction was to plug my ears to simulate what control we have over loud sound. You can block out treble to some degree, but you can’t block out the bass. Your ears can be protected from trebel, but your body is going to feel the bass, with you liking it or not. Maybe some people just don’t like being out of control of what they feel.

(this is a work in progress)

be safe… the persuit of bass is a noble one, but don’t kill your sense of hearing in the process. earplugs are your friend. They’re cheap, and they help block out the higher frequencies that do the most damage. Get your bass on, just be smart.

1/8th inch jack

ripoff artist - not too convenient…

note to self… find this track

Quartz composer, another idea

How about an itunes visualizer plugin that would be like a slideshow of quartz composer files? With nice transitions, etc…

Tiger: Quartz Composer

Tiger: Free Real-Time Interactive Eye Candy Maker — Quartz Composer: “Joshua Ellis (zenarchery.com) writes us with an insanely cool discovery on the Mac OS X 10.4 developer DVD. I’m still waiting on my Tiger shipment, but this will definitely be on my install. Josh writes:

So I’m playing with the new Quartz Composer in OS X 10.4, which allows you to do weird sort of graphic installation-y stuff, plus design your own screensavers. It’s basically a drag-and-drop OpenGL composer, sort of like Max/MSP for making eye candy. You can load images or QuickTime movies and do real-time graphics processing on them.

In the list of controller tools? MIDI Clock, MIDI Controllers (aka pitch and mod wheel) and MIDI Notes. I haven’t gotten all my drivers updated yet, but it appears that this eye candy can be controlled via MIDI (in addition to the keyboard, an LFO, RSS feeds, the command line…pretty much anything). And you can write your eye candy out as an actual application. Which other people can download.

You have to install the XCode Tools to get this on Tiger, but they’re included free on the DVD. The app is called ‘Quartz Composer’. I think Macs may have just gotten a couple of hundred times more interesting.

Josh also tells us you can interactively map audio inputs to assign volume peak and spectrum to other controllers(!) While this is no substitute for Max/MSP and Jitter, for some visual fun and Swiss Army Knife-interactivity, looks like a must-install. Stay tuned..”

(Via createdigitalmusic.com.)

wow! WOW! wowowowow! Download an example I made. Here’s a small screen grab movie clip for those of you who aren’t on tiger yet. YEssss… here’s another. This is so much fun. What isn’t mentioned in the article is there’s drag and drop VIDEO support 3d transforms, Bonjour services, image getter, RSS feed support… IT’S OFF THE HOOK, PEOPLE!

update check out http://quartzcomps.com/ … thanks jono!

Drums of Death review


I love this cover artwork. I love the homage to the “Heavy Metal” logotype..
kind of a heads up for what’s on this album, haha — heavy metal!! rawww!!

    * track 1 - Opening sound is jack dangers bleepy.. :D
    * track 2 - chuck workin’ it out! big ass drums, yessss, begin ears bleeding….. now.
    * track 3 - quantum cyborg drum machine making my ears bleed
    * track 4 - guitar DJ tool element… Vernon Reid’s crying guitar making my ears bleed
    * track 5 - metatron … (haha) sneaking around, scheming a plan to get more energon cubes!! and making my ears bleed in the process
    * track 6 - assisted suicide … Dälek making someone else’s ears bleed, yeah, you, sucka MC!
    * track 7 - Kultur Krieg - MORE earbleeeeeding!!! Rawwwwww!
    * track 8 - Sounds from planet X… some time to let the ears scab over, sort of.
    * track 9 - B-side wins again, of course. :)
    * track 10 - Incipit Zarathrusta drums of ear bleeding! woooo, defender flashback.
    * track 11 - a darker shade of bleak… a smooth break, well placed.. sort of.
    * track 12 - art of war or art of my ears burning?
    * track 13 - terra nullius - owowowow my ears!!
    * track 14 - public enemy #1 - vintage chuck lyrics flowin over what I’m gathering is the theme here… an ear bleedin’ groove.. ooh, nice wide open beat samples
    * track 15 - obscure disorder - another break from the bleeding, well placed… ahh bleep bleep bleep bleepy
    * track 16 - particle storm.. yep
    * track 17 - the darkness, a bonus track, yessss Gotta love unlimited distribution methods
    * track 18 - requiem aeternam, another bonus track, nice guitar chop. ah, this is a fantastic way to finish up

This album kicks ass. I’m not disappointed one bit. This album does exactly what I thought it would from the moment I read about it… make my ears bleed. :) Well done to all!
hey, here’s another review on blog critics from an hour ago or so.

Drums of Death - DJ Spooky & Dave Lombardo

final scratch 1.5.3 and mac os x 10.3.9

Tragic. I wish I’d saved my money and waited for 2.0. Every other time I’ve launched FinalScratch, it’s broken because of an OS upgrade. I’m going to tiger in t-minus-4 days… I supposed I can expect this to be broken, and now that final scratch amp 2.0 is out, it wouldn’t shock me one bit to see the 1.0 scratch amp just die permanently because native instruments just isn’t interested in me and my old hardware. They apparently had an upgrade program, but didn’t really try hard to reach me about it. Boo. :(

battlestyle turntable coffin

Now, I’m not really a big dj’ing guy anymore, but every time I do get some time on the decks, I always walk away feeling good. I wish I had more time to play music on turntables, but two things are for sure: One, if my gear is covered in sawdust, that’s going to make me sad, and two, I’m not going to want to have to clean it up for an hour of playing beats. The best solution is to create an enclosure for my junk so that when i want to play, the gear’s ready to rock, clean, dry, and all plugged in.

Enter the turntable coffin.

Turntable coffins are like a giant box that encloses everything. The biggest problem was that last time I looked, battle-style coffins are hard to come by… AND, they’re expensive. This was a perfect project to bust out the big clamps and get some more of that practice, practice, practice. I had all the stuff already… my estimate is around $50 in materials. Hey, here’s the obligatory timelapse movie of me cutting the lid, attaching the top, hinges, and testing it out.

couple more images here: one, two

After the timelapse movie, I added the fold-up laptop stand and the hold down toggles. I built the case big enough so that nothing touches when it’s all folded up and closed down. I’m really stoked on this. :) So, now I need to figure out, to line with carpet or not. Hmmm.. maybe paint? I dunno.

Guero

Wow wowowowow, Beck’s new album Guero is so good. I’m really impressed. It’s no wonder why I’m going to love this album right out of the gate, though: Odelay and Midnight Vultures, and Beastie Boys’ Paul’s Boutique… these guys know beats and production.

Between song and product placements on The O.C. and American Eagle amongst what I’m sure is a mastermind level of marketing blitzkrieg, this album is really really freakin’ good. If you’ve been following Beck’s work, you’ll notice a strong sense of continuity… a weirdo mix of 70’s funk, podunk harmonica and guitar, street beats and turntablism… now adding to the continuum are well placed glitch and low rez famicon synthesis.

Also, please forgive me hardcore Beck fans, I totally skipped Sea Change. So with that perspective, or missing perspective, Guero is in my opinion, Beck’s strongest show of vocal range and control. Missing, Earthquake Weather, and Scarecrow really show Beck’s maturity and fine tuning of his musical tastes. This is an awesome work of art.

mawzer

Motion 2 - Midi input for motion graphics

NIN remixes, this is soooo predictable

I absolutely applaud the action of NIN of releasing a track in garageband format… however, I can see these versions coming a mile away:

1. “whoa, what about nSync vocals instead of trent rezner’s!11! omg! s0 cool!!”

2. “OMG! I’m going to go put Buffer override on all the individual tracks!!”

3. “OmFG!! I’m going to go make a pure glitch version of this track!1!1!!1!”

4. “dude! I bet no one has made a DnB version of this yet!!”

5. “Which beatles song goes well with this? Mashup time!!! w00t!”

b-side wins again

As promised: DJ Spooky, Dave Lombardo, Vernon Reid, Chuck D, Oh yeah, and Jack Dangers’ new ep from “Drums Of Death” - “B-Side Wins Again”

Waterborne @ SXSW

Waterborne seriously rocked my nuts off this weekend. I was already expecting brilliance because Ben has always been a talented mofo, and the film actually surpassed my (already high) expectations. The film was scored by Dredg and Navdeep, two amazing and impressive aural talents. The cast was awesome, conveying powerful characters layered over a very powerful plot.

I got the news last night that the film won 2nd place for Audience Choice Awards at SXSW, with positive comments coming in about the direction, music, characters, actors, story… Here are some comments from Aint It Cool….

Waterborne is an account of a terrorist attack in Los Angeles in which the city’s reservoir is poisoned and effectively turns the town into chaos. During the movie we follow a few different strands of characters as they interact with each other in this catastrophic time.

I dug the hell out of this movie. It doesn’t have any major stars in it, but rather a bunch of people who you will recognize as sort of side-characters from other films. Chris Masterson is probably the biggest name on the bill. The other actors and actresses include the female neighbor of Peter Parker (Mageina Tovah) in Spider-Man 2, the O-Face guy (Greg Pitts) and Samir (Ajay Naidu) from Office Space and Uncle Rico (Jon Gries) from Napoleon Dynamite. This excellent cast brought the movie together and didn’t draw attention to themselves by making it into a big action-movie type of thing. There are a few really tense moments in this piece, but the characters were the most important part.

Afterwards, the director, producers and most of the cast was there to do a Q&A which was pretty awesome considering the lack of Q&As at some of the bigger “more prestigious” films showing this year. Check this one out if you get a chance.

WATERBORNE has a lot going for it. This little film that could has a cool premise (someone’s poisoned the water hole!), a very competent cast (including Jon Gries, who was in “Born of Water”, heh!) giving solid performances, great music, and compelling camera work. I like the fact that the bio-terror plot device is just the backdrop for the development of the ensemble of characters. My friends mentioned that this is the kind of film that may get overlooked by distributors because they’re all sure someone else will buy it. I hope that doesn’t happen, because this film really does deserve to be seen.

Edison’s score: 76% inspiration 92% perspiration