RT Woooo breaks! @nokapixel @DJDanmusic’s live set from Opulent Temple at #bman09 here: http://bit.ly/4myeeF Enjoy!
|
RT Woooo breaks! @nokapixel @DJDanmusic's live set from Opulent Temple at #bman09 here: http://soundcloud.com/djdanmu... Enjoy!
|
some junk we like
Archive for 2009
|
RT Woooo breaks! @nokapixel @DJDanmusic's live set from Opulent Temple at #bman09 here: http://soundcloud.com/djdanmu... Enjoy!
|
Improvisation is something that many electronic dance music musicians strive to be able to do. Steve Cooley has achieved this ability with the help of the device he built called Beatseqr, and he puts it to the test for this 4-tracker release. Created essentially from scratch with almost no preparation, you actually hear him build each one up beat by beat. A good set of sounds and an knack for box-bangin’ is all Steve had to go on. I’m sure you’ll agree that he’s got a technique that’s definitely doing good things. Download and enjoy!
And just so you know, that circuit board on the artwork was used to build version 3 of Beatseqr.
Artwork by Steve Cooley
waitingformynewpcbs
doihaveyourattention
organicsolventvapor
buyapluginelectriccar
|
Holy crap, http://www.palmercash.com/p-2042-... look at this shirt.
|
I just went to reorder sliders I had *very* expensively and carefully vetted out of a small crowd of contenders only to discover that mouser.com had run out of their on-hand stock of over 1200 pieces. I think it would be totally insane to try to keep vetting new hardware and redesigning my circuit boards based around an inconsistent supply of components. So, I’m thinking about moving to a modular “sled” kind of design for sliders so that I can keep my circuit board in a static configuration and be able to plug and play whatever sliders I’m able to get my hands on when I need to replicate my project. Here’s a preliminary sketch:
Just like the Rhodes piano, the Hammond organ and the Stratocaster guitar left their mark forever in the world of musicmakers, so did the Roland TR-909 drum machine. The successor to the also classic TR-808, the TR-909 can be heard in a large number of electronic dance music tracks created over the last 25 years. Its sound is unique, classic and often imitated by many other hardware devices and sound-generating software. On this appropriate day in history…09.09.09 (September 9th, 2009), we commemorate this legendary machine by presenting to you these seven tracks laden with 909 sounds or very inspired by them. Celebrate with us by downloading this release, loading it into your favorite player, and as we like to say….BANG IT!!
The Rhythmist – ‘Darling’
Qorser – ‘Carbonated 909′
Lucas Rodenbush – ‘789′
El Gato #9 – ‘The Number 9′
Lucas Rodenbush – ‘Timing Is Everything’
Qorser – ‘bdsdltmthtrshcchohcr’
The Rhythmist – ‘Percussion Storm’

a quick update to let you know that midi note number changes are preliminarily functional from the beatseqr version 3 hardware! Hitting the slider mode select buttons to go from midi “velocity” to “midi note num” will let you explore different notes in your midi instrument… this is great if you’re using an instrument like Ultrabeat in Logic Studio or Logic Express, because this will let you set any of the voices to any of the drum sounds. This should in theory work for any instrument too.. it’s just really cool in ultrabeat to be able to set a pattern up and then use the sliders to change what sounds are being used for each of the pattern voices. Still some rough edges to work out, but this is another huge step in the right direction of letting you spend less time looking at your screen with your hand on a mouse, and more time with your hands on the beat.
While making my Beatseqr project, I’ve been trying to find a reliable source for some faders / sliders / slide pots / slide action potentiometers, and I’ve been having a challenging time finding exactly what I want. So I thought I’d share what I’ve learned. Click on through to get a crazy large dose of science.
Here are some of the parameters I’m working with:
Specific things i’ve learned:
Also, don’t expect faders to be what these companies consider to be their sexiest products. They’re not. At best they’ll have some datasheets available for you to look at. At worst, you won’t be able to find sliders on their website… at all. It’s a little perplexing to me how companies can make stuff and not seem to even realize it as far as their website knows.
There are several kinds of companies that will sell you parts, and they require different levels of commitment and experience.
There are several parameters you should bre of before ordering a bunch of sliders. Here are the top ings to look for:

And lastly, and unfortunately, sometimes you need to just roll the dice and see what happens. Take your best guess, bite the bullet, order some parts and see what you get. Got any tips? Leave ‘em in the comments!
mouser = 1600 products, datasheets have been proven to be wrong, but this really is the best resource I found for slide potentiometers.
tti = none / too hard to locate (mouser actually is tti)
digikey = 82 products, expensive, sometimes larger minimum purchase
newark = 74 products, expensive … same as
farnell/uk … 111 products, UK currency
tsan = none / large quantity sales only
allied = non-stocked, 100 minimum pieces for bourns (however, cheap)
arrow = 2 products, large quantity sales only
sager = 4 suppliers, large quantity sales only
future electronics = 1 product
And… here we go… here’s an exhaustive list of US suppliers as found on an electronics industry group’s website, and my comments. Where it says “none/too hard”, that means that they don’t deal with small-timers like me:
all american = large quantity sales only
all electronics = 1 product
avnet – non-stocked
bell industries / micro – none
bgmicro – none
capital – none
cdm – large quantity sales only
dr components – large quantity sales only
electronix express = none / easy
ericnet – large quantity sales only
fcc franklin choi = one
ibs = large quantity sales only
i systems = wtf?
icc = large quantity sales only
jaco = large quantity sales only
jdr = large quantity sales only
kentek = none
knight = large quantity sales only
tequipment / leader = none
lemos = none
mentor = large quantity sales only
mitronics = large quantity sales only
new york semi = large quantity sales only
NTI / connector people = none
north atlantic = large quantity sales only
nte = none
nuhorizons = none
powell = none
richardson electronics = none
richy cypress = arrow nac
space coast semi = large quantity sales only
4star elec = large quantity sales only
Vibeke B has a great solution to multicasting OSC from external data sources to multiple OSC receivers inside QC:
Sending OSC to multiple OSC receivers on the same port
Yea thanx for helping me. I think it solved my problem actually. I don’t think I can send OSC messages from another app (modul8) to QC on ip 0.0.0.0. It might intentionally only be working inside the QC environment. At least I could not get that working.
But I found a way around it like this:
I send a msg from Modul8:
Modul8 ip 127.0.0.1 port 9000 -> QC OSC receiver on port 9000 (one comp receives this)This message is only received by one OSC receiver even if the receiver is in every one of my QC comps (as we found out earlier). I then put a small osc rerouter in every comp. Whenever a message is received on 127.0.0.1 i put it into a sender that resends it on ip 0.0.0.
QC 0.0.0.0.0 port 9001 -> QC receiver on port 9001 (all comps receive this)Then because the message is sent from within QC on ip 0.0.0.0 I get the desired result: All active QC comps receive the message.
Just too good not to repost… such an important piece of information if you’re doing anything with OSC inside quartz composer.
original post:
http://kineme.net/
And here’s the quartz composer list email:
http://lists.apple.com/archives/Quartzcomposer-dev/
Congrats to Sonya Paz on being named the artist of the year for the 11th Senate District of California! I used to work with Sonya at Adobe way back in the day, and have enjoyed seeing her bring her whole game to my hometown of Campbell. I couldn’t imagine it happening to a nicer person, yay!
Check out her website at http://www.sonyapaz.com/…
Update: I’ve written a huge post on how to buy sliders/faders/slide potentiometers
As copiously stated, I have no formal training in electronics, and I’ve reached a mature enough age that I can no longer accept an electronic component as a black box, so when I come across a device and can figure out how to use it without being able to locate instructions, i feel like it’s only right to make a drawing of it and try to explain my hypothesis for how it works.
With that being said, here’s my best guess at how the 10k slide potentiometers (sliders / slide pot) works:
The obvious control at the top sets the resistance. The voltage in (V+) and ground (V-) pins run inline with each other, and the resistance value is read from the pin adjacent to the voltage in pin. I’m using an Arduino to read the value, and in my case, i actually needed an additional resistor in front of the voltage in pin to limit the incoming current. When i hooked the slider up directly to the arduino, it didn’t work very well, acting way more like it was a logarithmic curve potentiometer than the linear curve pot I thought it was. About 2 minutes later, it was blistering hot. Too hot to touch, actually! So, I quickly disconnected it from the arduino and added a 10k resistor in front of the voltage in, and then it started behaving much more reasonably. The values I was getting from the 10k slider were not what I was expecting, so I’ll have to dial back on the current resistor from 10k to maybe 1k and see if that helps get the values from the slide pot more inline with my expectations.